Day 137: Ashes & Glass, 2000

Yesterday was Jerry solo and today balances that out with some solo Bob Weir.

I never could get into Ratdog. I saw them once (4/14/01 at the Royal Oak Music Theatre) but the show didn’t do much for me, even with a Help > Slip > Franklin’s to end the show. They did play Ashes & Glass that evening, and I remember someone I knew from high school recommended the song to me, but at that point it just didn’t click.

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One of the things that turned me off to Ratdog was the sax player in the band. I just don’t think rock music warrants sax on every song. Here and there, yes that’s fine. If you’re doing a blues/R&B thing like the Tedeschi Trucks Band, I can understand the horn section, or like when Allen Toussaint wrote horn charts for The Band for Rock of Ages. But a single sax on every song? I’ll pass.

When I finally got around to listening to this album again a few years ago, this time with a more open mind toward Bobby, I discovered there were a number of tunes that I really dug. Ashes & Glass is one of the pack leaders in that regard. Of course, it really makes me think of Throwing Stones too because both utilize the nursery rhyme motif. I’m a fan of Throwing Stones so I think that connection helped bring me around to this song as well, in some odd way.

I always liked the chorus of this song the best. It basically appropriates a children’s nursery rhyme and expands upon it. This is a studio cut so everything sounds great here. The lead guitar here by Mark Karan contains echoes of Garcia, but just a tinge. Jeff Chimenti plays some intricate fills, naturally, and Wasserman’s bass is all over the place, as one would expect from him. The band has a great command of dynamics here especially as they build up to the final chorus section. I’m not a huge Ratdog fan but this is a great song.
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